ࡱ> ikh RJBbjbj.V+8,LxDN@???????$BzEz?Q?4@ $ $ $ ? $? $ $6<5?B+Nq=}?@0N@=EL#4F85?EF$5?H $?? $N@4F : fnBfgzV\xOULTel FUIP zf zV\  Pi_QseNASN}Rt^ fW\,gWvw{ }vq \AS]NN}N9}ovPk2msNw{\@SRO 1udki^N-N W Pq} esN zV\ew{\vN&NnvNCQ \z!j_ _N_QNBfNeN6q-r֊ NOvOUL1 YUO[zV\[/f&TibNN PSNnpfcTLufxveԚTXePq}YUOcTt㉫Rxk(WzV\^KN Nvex[\OT[PKNvܕOYUO`NO}k~\OTUޞ(WebTw0RNN\O(uzV\MR_o2Sva}TeˆSar`#jObc2 `#j(WfnBfgvex[0eS0wXqT``֊vX-NOnˑN\OTva0҉rTRex[\OTv0}elXSvwkSRgel vzzYUOK(u`#jvNP}T |_dku|vYUOUt\xvz``SvܕO`#j(W\xvzeSxvz $\vQ/firꌇeSTeSKN2L \qebvMRofYUOeTUO(W(W2bfxvzevYCQS&NHTsY͑}^vBfN \xvz`#j N1Ye,g0}vWy S\҉^8O0RvQ[vܕvWTx[y-NS3 N/f}vq`#jt㉞0f[eԚKNvܕOegsNvwkSXNASN}v]puvzzUO(W&TPNVx[#j\}vqI{ Tevernacular _ \@b}vq\tbz0W }eQܕesN'`0;NԚ'`TsNle W[v֊-NSYg N vzzarYUOOUt}vq SvQ@b#6^vN|ROUL4 zV\fn^ WKNvܕOYUO(W^ WTle W[IWvwkSN z-NO㉀zV\N\OTS/f`#jOi vQ;NNlQb_aT`P^ WuWSvQ}TLu5 pNzV\vԚ_Nv^~ Ne NesNw{\p!j_v0wcka Nv-N WsNw{\{SNv0RNASN}vNASt^N+ggMbQspN(WAS]NTNASN}vwkSBfg-N 0}j"Y 0 YŖORΑ q_e 0}j"Y 0vz"uvzzasT@wN6 (Wvu Nv Wx[SX-N &TNfnBfgvzV\pwkSnjn S gܕnovelv֊N֊v8h_OULUO(WSOcvWpUO/f&TSNݑ \AS]NN}NMl\rsShQt8 kKNMRKN_viQ P N TBfg R%RZPQwkSvcTRgP1\fnzV\xvz  egsN vwkSRg/f&TOPgQ(WvTt'` g!qܕo aUO(W zBl 1 MR[bc[Pge0 2 X1XJT &NSX֊0 3 g+g֊e0 ,{NUCQ 0ёth^q 0NqQ3!k [teSfUDN ˊh{!hv̑Nf@\,g0k!k8^BlN{ gܕ֊eb֊Wvz{eirx[ue z^ [ (Wx[gN z-NBfteeirY g-No,g No,gp;N0 12/10 N 4X}vOULel0 12/15N zV\veu_ 04lnP 00R 0ёth^q 00 0ёth^q 0,{1 10V,{19V,{24 26V 84V 87V0 Terry Eagleton, Chapter One  What Is a Novel ? The English Novel, pp. 1-21. 12/17 N vavOwk0SUZZYFUN 3}KNvxd N P>ygSv}TL 0ёth^q 0,{11 20V͑,{7V0 Terry Eagleton, Chapter Two  Daniel Defoe and Jonathan Swift , The English Novel, pp. 22-52. Ma Ning,  When Ximen Qing meets Robinson Crusoe 12/22V e8^u;m0~ag{kN 0ёth^q 0\Xeve{_  [ [?| 0{^0ٖܕ[0 0ёth^q 0,{21 30V,{49V,{78 79V0 FUIP  0ёth^q 0e(u^f 0    NpN}KNS  0MbP[ar9NN 0vUޞqSvQ['` 0 Peter Brooks,  Narrative Desire , Reading For the Plot: Design and Intention in Narrative (Cambridge: Harvard University Press), 1992. ,{NUCQ 0QgYS 0NqQ3!k SirSb 0yASkQN}veSIb 0{x I{0ˊO(uNg"oy!h/ 0QgYS 0/S!h/SU,g0 12/24N 0QgYS 0,{1 20V ͑ޞ,{1 5V8 12V15 20V 0  eN\vb_b ,{Vz 0eNvBfNSvQB}P} 0 0RKj-N Wex[ S 0 N300 340 0 ,{Nz 02bNwkSvB}P} 0,{ NR P} 266 298 FUIP 0yASkQN}veSIbQgYSxvz 0 SN Nof^ 2012). 12/29mQ 0QgYS 0,{20 38V0},{29 33V36 37V 0 FUIP  0QgYS 0Xeb_Ka֊ 0ex[z"u 02014,{5g0 ,{NR yQ[NLuvqS_j MR0,{Nz Q[Ql0ONgx[>mT 0QgYS 0 33 75 FUIP 0yASkQN}veSIbQgYS xvz 0 SN Nof^ 2012). ,{]Nz 0S_`PbS` 0T,{VN P} 334 380 0yASkQN}veSIbQgYSxvz 00 Martin Huang,  Introduction and Chapter 2 of Literati and Self-Re/Presentation: Autobiographic Sensibility in the Eighteen-Century Chinese Novel (pp. 1-14; 45- 74). 12/31N 0QgYS 0,{39 56V 0},{39 42V46 48V55 56V 0 ,{NR ,{ Nz l/O`yvkXqS_j-NvLy 111 164 FUIP 0yASkQN}veSIbQgYSxvz 0 SN Nof^ 2012). ˍ 0QgYSvia4XW a1Y=v[W 0381 408 0y ASkQN}veSIb 00 Marston Anderson,  The Scorpion in the Scholar s Cap: Ritual, Memory, and Desire i"$`hX\^`lǸ۸۸sdǩUULBLh]Zhx2|6PJh]Zhx2|PJh]Zhx2|OJPJQJ^Jh]ZhqMOJPJQJ^J'h]ZhqMOJPJQJ^JnHo(tH"h]Zhx2|5OJPJQJ\^Jh]Zhx2|OJPJQJ^Jo(h]Zhx2|OJPJQJ^Jh]ZhKOJPJQJ^J'h]Zh;0OJPJQJ^JnHo(tHh]ZhK5OJPJQJ^J'h]ZhK5CJOJPJQJ^JaJ"$\^ jlFZ & F gd5`gdx2| XWD`XgdqMgdqM ^`gdx2|gdx2|$a$gd;0 .*z| .24vx,.ܵܣܓܵܓܓܓܓܓ܂o$h]Zhx2|OJPJQJ^JnHtH!h]ZOJPJQJ^JnHo(tHh]Zhx2|OJPJQJ^Jo("h]Zhx2|5OJPJQJ\^J'h]ZhN(aOJPJQJ^JnHo(tHh]Zhx2|6PJh]Zhx2|PJh]Zhx2|OJPJQJ^J'h]Zh;0OJPJQJ^JnHo(tH&Z^$HJ48rtz)WD^)`gd]Z (WD&`(gdN(agdN(a ^`gdx2|`gdx2| XWD`XgdqMz|&DL24vx.0x WD,`gd]Zgd/u{XxVDWD2^X`xgd]Z WD,`gd/u{^gdx2|gdx2| HWD^`Hgd'= XWD`Xgd'= (WD&`(gdN(a.0VX\^bhjptvxHJ׵yoaoyTyFh]Zhx2|6OJPJQJh]Zh/u{PJnHtHh]Zh/u{6PJnHtHh]Zhx2|6PJh]Zhx2|PJ$h]Zhx2|OJPJQJ^JnHtHh]Zhx2|OJPJQJ^J!h]ZOJPJQJ^JnHo(tHh]Zhx2|OJPJQJ^J$h]Zh5OJPJQJ^JnHtH'h]Zh5OJPJQJ^JnHo(tH'h]Zh/u{OJPJQJ^JnHo(tHxJ$Z\>XZ......gdx2| (WD&`(gdN(a WD,`gd/u{gd/u{ WD,`gd]Z "$VZ\<>XZ...D......ܸܤܓܓ܀ܤܤwuwkwkw^wh]Zh/u{PJnHtHh]Zhx2|6PJUh]Zhx2|PJ$h]Zhx2|OJPJQJ^JnHtH!h]ZOJPJQJ^JnHo(tH'h]Zh/u{OJPJQJ^JnHo(tH'h]ZhN(aOJPJQJ^JnHo(tHh]Zhx2|OJPJQJ^Jo(h]Zhx2|OJPJQJ^J'h]Zh;0OJPJQJ^JnHo(tHn Rulin waishi, in Huters et al., Culture and State in Chinese History (pp. 259-76). -_o  0QgYS 0SeI _ R ˊR__ 0 ,{ NUCQ 0}j"Y 0 NqQ2!k0 01/05kQ 0}j"Y 0/f`#j-v Nx[vjL0Yd\Fhg0w-vxe͑ N0f[0 0}/ NSe,gꁫvwkS0Am Niz[ '`Kxvz P-NNvUޞSvQ \vSbr^d  f STSvL0 0}j"Y 0,{1 12V͑ޞ10205T12V 0 svaim/ 0e}w-oxKU/܈ 0 0\ 00,{1 12V0 01/07]N 'YW/j~kuwGPv_mSvQ݅Svmn0 0}j"Y 0,{17 18V,{39 42V52V0 FUIP  The Story of the Stone and the Visual Culture of the Manchu Court, 1723-1796 . ____,  <wv{^a m0}lku'YWv"Y{^Eq_ 0 ,{VUCQ 0ΑSf 0NqQ2!k ܈EQSb gܕ 0ΑSf 0wX̀ofv֊eT֊W0 01/12AS 0ΑSf 00tx[~N Vx[Α-NvwX[eN\SvQ``STwXSvΑ0 0ΑSf 0,{1 5V110 112VdkYXR~^V 0 sts 0nNV'YMbx[\ 0-Nܕe 0ΑSf 0vNz0 01/14 (ASN) 0ΑSf 0Vk]b0Pk]"Y{^02bfhoUޞ  e,g 2bS0S NS N02bgQ2bY'Yn^ WQ[hQtS`P0 0ΑSf 0,{140 154V0 Martin Huang, Chapter 4  The Self Reinvented: Memory and Forgetfulness in Humble Words of An Old Rustic, in Literati and Self-Representation: Autobiographical Sensibility in the Eighteenth-Century Chinese Novel (Stanford: Stanford University Press, 1995): 109-142. ,{NUCQ 0}[wm 0NqQ2!k0 01/19ASN 0}[wm 0lr\0a`PGY0^\0e?el\ 0ўU^\vHQEb Tv 0Mbx[\vl0BfNhQof_vwkS\0zVԚ\ve 0QgYS 0XeP}ivpu TPk2m\vq_bN  0}[wm 0,{1 13V0 Theodore Huters, Chapter 7  Impossible Representations: Vision of China and the West in Flower in a Sea of Retribution in Bringing the World Home: Appropriating the West in Late Qing and Early Republican China (Honolulu: University of Hawai i Press, 2005): 173-202. 01/21AS N 0}[wm 0eTPk2m 0wXew0 x[CQ0Wtx[ 0^ WXe 0-NOLuW 0 puW`P0 N/f}vqex[-N WegsNvf[0 0}[wm 0,{14 28V0 Shang Wei,  Writing and Speech: Rethinking the Issue of Vernaculars in Early Modern China (forthcoming; -Ne?z_Q), in Benjamin Elman, ed., Rethinking East Asian Languages, Vernaculars, and Literacies, 1000-1919 (Brill), pp. 254-301. De\t֊T\SSnjedkp^8Ofv PO gvx[uSO(u  Michael McKeon ed., Theory of the Novel (Baltimore and London: The John Hopkins University Press), 2000. Mikhail Bakhtin, The Dialogic Imagination: Four Essays (Austin: University of Texas Press), 1981. Georg Lukacs, The Theory of the Novel (Cambridge: MIT Press), 1973. Ian Watt, The Rise of the Novel: Studies in Defoe, Richardson, and Fielding (Berkeley: University of California Press), 1957. Franco Moretti, ed., The Novel: History, Geography, and Culture, volumes 1-2 (Princeton University Press), 2006. Terry Eagleton, The English Novel: An Introduction (Blackwell Publishing), 2005. Peter Brooks, Reading For the Plot: Design and Intention in Narrative (Cambridge: Harvard University Press), 1992.      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